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She had a brilliant smile and was appropriately dressed. She was a handsome woman of 58, in the prime of life. At the very first lecture of hers I attended, I was fascinated almost as much by her dirty fingernails as by what she said. Marie-Louise von Franz was a frequent lecturer at the Jung Institute on dreams, fairy tales and the symbolic importance of alchemy. von Franz as “Marlus,” the name by which she was known to intimates. Fraser died in 1992 without ever knowing how teeth-grinding envious I was when he began to refer to Dr. Well, my own analyst took quite a different approach toward me and my material, bless him, but what I heard from Fraser was at least complementary, and at best an analysis with von Franz, albeit vicarious. She would come back with a full-blown interpretation of what the unconscious was saying to compensate his conscious attitude. He would tell her a dream and stammer a few associations. I was continually in awe of Fraser’s account of von Franz’s understanding of his dreams. We found separate living spaces after six months, but the analytic sharing went on. And thank goodness, because every time he came back from a session with her we chewed over, for hours, what she had said. She was a frumpy housewife then, just as neurotic as the rest of us.įraser became a close friend of mine, our relationship enhanced by the fact that Marie-Louise von Franz was his analyst. His sister, Marion Woodman, soon joined us. In German this place-name is pronounced Eck, but of course eggs are ubiquitous symbols of new life, which heartened us both. Our dismal state was echoed by others in training, which is to say we were all there because we had run afoul of our own psychology.įraser and I rented a house in the nearby village of Egg. He was also Canadian, from London, Ontario, and he too had run out of steam, reached the end of his tether and so on. Fraser had been a teacher for many years before he landed a job as assistant producer on the film Murder on the Orient Express. Fraser Boa, a charismatic fellow larger than life, had also been accepted as a trainee and was looking for someone to share a house. Richard Pope, who was more than adequate for the likes of me, but that is another story.Īs it happened, I then fell in with a shadow companion. I shopped around and found another analyst, Dr. Marie-Louise von Franz was my beacon, but alas, she was already fully booked. I limped into Zurich in the fall of 1974, having abandoned my wife and three young children in favor of my own potential renewal. He helped me to my feet and on his recommendation I was accepted for training at the C.G. Anthony Stevens, a great admirer of von Franz. I was in England at the time and my analyst was Dr. Needless to say, I took the alternative: I went into analysis. Tough to take, but her cogent comments on men who sounded suspiciously like me, devastating as they were to my image of myself, offered an implicit alternative to killing myself. Well, that’s not entirely true better say she prepared me for what was coming, which is to say, I could appreciate intellectually, with my thinking function, her analysis of the mother-bound man, but I did not truly see its relevance to me-from a feeling standpoint, that is-until I was on my knees three years later. Exupery), had opened my eyes to my personal psychology. I didn’t meet her in person until 1976, but already in 1970 her landmark book published by Spring Publications, The Problem of the Puer Aeternus (a Jungian interpretation of The Little Prince by Antoine St. If your controller uses endless rotary encoders, use one of three Relative modes (you will probably have to try them out to see which one works best with your controller). If your controller uses common potentiometers as knobs, use the Absolute mode, and it is recommended that you turn "Soft takeover" on, to prevent sudden jumps. MIDI learning from Actions list (Reaper 3 content) In this case, latch automation (not sure why)Īfter moving the knob around during playback, or in this case recording, of the track. Next you want to make sure the right automation mode is selected. It would be nice to have this step bypassed. You have to select the same parameter you just selected for midi learn. With this it is one simple step, you don't have to select it from the GUI if you dont want :) (shortcut) in the latest versions (1.7x +) there are "learn buttons" right in the envelopes dialog: Now it will bring up a list of all the available envelopes to automate. We need to go to the envelopes button on the track. Here it shows exactly what is being sent to reaper. Move the knob of any controller that is enabled as a control in the preferences, and you will get this: Select the parameter you want to automate, in this case I'll try the rotator speed. On your vsti, look in the upper right hand corner, and you will see the "learn" button. Just for reference, this is what the prefs should look like 2 MIDI learning from Actions list (Reaper 3 content)įirst, you need to make sure your controller is enabled as a control device. This property affirms that it follows the cleaning and disinfection practices of We Care Clean (Best Western).Each guestroom is kept vacant for a minimum of 24 hours between bookings.Individually-wrapped food options are available for breakfast.Social distancing measures are in place staff at the property wear personal protective equipment a shield is in place between staff and guests in main contact areas periodic temperature checks are conducted on staff guests are provided with hand sanitizer masks are required in public areas.
Alex was sentenced to life for the murders of his wife and son, but with so many dubious deaths in his wake, this story isn’t over - not by a long shot. “Fyre Fraud” filmmakers Jenner Furst and Julia Willoughby Nason chronicle the downfall of the family dynasty and now-disgraced former attorney Alex Murdaugh over three episodes using interviews with former friends, lovers, law-enforcement officials, attorneys and journalists to show how the Murdaugh clan’s stunning abuse of power and privilege spiraled into a national obsession. And the 2021 double homicide of Alex Murdaugh’s son Paul and his wife, Margaret. The 2019 death of Mallory Beach during a reckless boating collision. The 2018 death of the Murdaughs’ longtime housekeeper, Gloria Satterfield, and the dubious life insurance scam around her demise. Netflix’s series is perhaps the best of the bunch when it comes to organizing the mayhem into a cohesive, crisp narrative, and there’s a lot to catalog: the 2014 murder of a student with ties to the family. Perhaps you’ve heard of them? The prominent Hampton County, S.C., family once renowned for their wealth and power are now at the center of so much death that multiple documentaries are required just to keep up. But once you’ve stopped fuming, I hope you’ll discover titles that are new to you, or give another shot to one you previously dismissed. To my fellow true-crime aficionados: I’ve undoubtedly overlooked your favorites or promoted others that have no business on this list! I get it. In short, I left them out because I found problematic the artistic license both series used to make their point. Some were simply too juicy to pass up.Īnd you may be surprised by a few of the big titles that didn’t make the list, like “Making a Murderer” and “The Staircase.” I could write lengthy essays on my issues with both docuseries, but I’ll spare you. Some are bar-setting films from master documentarians, others are necessary works from filmmakers who uncovered incredible stories. Joe Kenda”? I’ve also sought to strike a balance among many tones and subjects, so the reasons for including the titles vary as much as their production values. How else to do justice to national treasures such as “Snapped” and “Homicide Hunter: Lt. Like any list, of course, this one comes with limitations: I’ve excluded programming from networks dedicated to the genre, such as Investigation Discovery and Oxygen, which feature so much content they deserve their own guide. I’d like to believe the form has become so popular because perps and their wrongdoings are exposed in the majority of the programming, and accountability is in short supply elsewhere these days. True-crime buffs often point to the thrill of playing armchair detective (see “Don’t F- With Cats”) and the satisfaction of solving a real-life puzzle. Critics of the genre argue that true crime is exploitative and voyeuristic, and there’s no doubt that’s part of its allure. And yes, they’ve also unraveled the twisted tales of heinous murders, heartless scams and wanton corruption for the sake of entertainment. The filmmakers behind these productions have solved crimes, freed the wrongly accused, exposed the guilty and given voice to victims and survivors. The choices run the gamut in terms of subject matter and tone, tackling all matter of narratives: following the gumshoe detectives of “The First 48,” exposing miscarriages of justice in “Who Killed Malcolm X?,” chronicling crimes so bizarre it’s hard to believe they qualify as true in “Sasquatch.” Here, selected by yours truly and compiled from Times coverage, are 50 of the best true-crime documentary films and TV series you can stream right now. So, like the authorities - at least the honest ones - we’re stepping in to help. From HBO Max to A&E, true-crime programming is more prevalent than illegal weed dispensaries. Cult murders, lottery heists, deadly dating apps, killer clowns: We’re in the midst of a true-crime wave, and television is the culprit. Red Hat’s OpenJDK product offeringsįor Red Hat customers, the default Java runtime in Red Hat Enterprise Linux is OpenJDK, easily installable via yum or zip. Hence, enabling our customers and partners to focus on their business software, rather than spending engineering efforts onthe underlying Java runtime. Red Hat’s OpenJDK distribution and support takes care of the above and enables our software to be deployed in production with timely updates to critical vulnerabilities and bugs. This means that you would need to make sure you have engineering efforts permanently allocated to monitoring the upstream project and maintaining your installations of OpenJDK. There’s nothing inherently insecure about open source software but when it is deployed without any maintenance plan or support - serious vulnerabilities can go unchecked and most organizations simply aren’t organized nor have the skills to maintain large, complex open source stacks.Īdditionally, without third-party support, you have to be fully self-sufficient. Proprietary software is no different except commercial support is not usually optional. When unsupported, there are numerous cases of critical vulnerabilities and security flaws in open source software not being identified or fixed until the damage to both the companies IT infrastructure and reputation have been done. While the open source license allows you to run the software with no commercial support or other contract in reality - you really do want support. First, do you really need support?Īs a customer, you may be asking if it is really that critical to run OpenJDK with support, and whether or not you can run it fully without support. In this post we will explain Red Hat’s offerings and how to enable an easy and smooth transition from Oracle JDK to Red Hat’s fully supported, long lifecycle OpenJDK distribution. They do also have a non-proprietary (GPLv2+CPE) distribution but the support policy around that is unclear at this time. Additionally, Oracle has changed the Oracle JDK license (BCPL) so that commercial use for JDK 11 and beyond will require an Oracle subscription. In early January 2019, when Oracle officially ends free public updates to Oracle JDK for non-Oracle customer commercial users, commercial users will no longer be able to get updates without an Oracle support contract. With many organizations depending on Java for their core business-critical applications, the changes are a big deal and many customers are still only just realizing the impact it has on their plans. Oracle has recently announced changes that affect both the upstream community releases and Oracle’s proprietary distribution of OpenJDK. By way of quick refresher - OpenJDK is the open source reference implementation of the Java Platform, Standard Edition (Java SE). As we explored in our last post, there are major changes coming to Java. “MGM has a nearly century-long legacy of producing exceptional entertainment, and we share their commitment to delivering a broad slate of original films and television shows to a global audience,” Hopkins continued. Highlights from the MGM catalog include “Basic Instinct,” “Legally Blonde,” “Moonstruck,” “Poltergeist,” “Raging Bull,” “The Silence of the Lambs,” “Thelma & Louise,” “Tomb Raider,” and “12 Angry Men.” For TV, the studio produced “Fargo,” “The Handmaid’s Tale,” and “Vikings.” Per a press statement, senior VP of Prime Video and Amazon Studios Mike Hopkins announced that the “real financial value behind this deal is the treasure trove of in the deep catalog that we plan to reimagine and develop together with MGM’s talented team.” The Amazon-MGM deal brought more than 4,000 movies and 17,000 TV shows to Amazon Prime Video, including the IPs of James Bond, Pink Panther, and the “Rocky” franchise, in addition to “Tomb Raider.” One source told the outlet that the bidding war has incited a “feeding frenzy” among studios and streamers. Now, that planned sequel is scrapped, per The Wrap, and Vikander will exit the franchise for yet another reboot in the works. “I think Misha and I have been ready, so it’s kind of in somebody else’s hands, to be honest.” Now it’s kind of politics,” Vikander recently told Entertainment Weekly. “With the MGM and Amazon buyout, I have no clue. John adds, after several minutes of being underappreciated, "(MISTREATER OF THE DEAD IS MY MOTHER'S NAME WAS A REALLY CLEVER JOKE).Alicia Vikander and Michael Fassbender Set for New Film from ‘The Wailing’ Director It's an action-archaeologist's spooky search for treasure in the Paris catacombs, and at times does feel quite Tomb Raider-y. And if you want someone Lara Croft-ish and you, like me, enjoy watching every single horror film on Netflix, you might fancy a peek at As Above, So Below. Honestly, I do like Lara Croft as a goofy cigar-chomping B movie hero but sure, let's give this a go too. Dominic West out Spice World, Walton Goggins from The Shield, and Daniel Wu of Into the Badlands co-star. (a reboot far more fun than expected!) as Lara and is directed by Roar Uthaug, who himself sounds like a Tomb Raider boss. It stars Alicia Vikander from Ex Machina and The Man from U.N.C.L.E. Tomb Raider the movie is due on March 16th, 2018. Our John is pinning his hopes on "Mistreater of the dead is my mother's name!" They even italicise that last "tomb raider." It's the name of the movie, you guys! If she survives this perilous adventure, it could be the making of her, earning her the name tomb raider."Īmazing scenes. Suddenly, the stakes couldn't be higher for Lara, who-against the odds and armed with only her sharp mind, blind faith and inherently stubborn spirit-must learn to push herself beyond her limits as she journeys into the unknown. But her mission will not be an easy one just reaching the island will be extremely treacherous. "Going explicitly against his final wishes, she leaves everything she knows behind in search of her dad’s last-known destination: a fabled tomb on a mythical island that might be somewhere off the coast of Japan. Advised to face the facts and move forward after seven years without him, even Lara can't understand what drives her to finally solve the puzzle of his mysterious death. Determined to forge her own path, she refuses to take the reins of her father's global empire just as staunchly as she rejects the idea that he’s truly gone. Now a young woman of 21 without any real focus or purpose, Lara navigates the chaotic streets of trendy East London as a bike courier, barely making the rent, and takes college courses, rarely making it to class. "Lara Croft is the fiercely independent daughter of an eccentric adventurer who vanished when she was scarcely a teen. have shared the first snaps of their movie based loosely on the gritty 2013 reboot, along with a blurb hinting at a "tomb raider" shoutout. Myself, I'm hoping Lara will rebuff accusations of grave robbery with "Please, my father was the Grave Robber. At some point, surely someone will say in reverent tones "You're. This is the main reason I am excited for a Tomb Raider movie. The best moment in cinematic history is, of course, any time a character says the title of the movie they're in. |
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